Arte - Smart Secrets of Great Paintings Series 1 (2015) Part 5 The Martyrdom of Saint Apollonia, 1461 - Jean Fouquet


Arte - Smart Secrets of Great Paintings Series 1 (2015) Part 5 The Martyrdom of Saint Apollonia, 1461 - Jean Fouquet

This series explores history of art in a totally new way. The painting comes to life, as animation overrides the limits of the frame, taking us to the heart of the canvass and plunging us into its era and history. This series of 10 half-hour programs shows how a painted image echos the spirit of its time and relates to a particular historic event. It reveals the poetic, sociological and political potential of the picture by penetrating inside the painting and examine the underlining details, thanks to work of computer graphics which livens up characters, objects and sets. Each film tells a fascinating story of a creator and the painting process. The great works of the past portray abundant testimonies, and are imbued with secrets and are teeming with mysteries. Beneath the surface of the painting, details awaken, to recount the spirit of the times and the vagaries of History, such as wars, revolutions, economic transformation, scientific discovery, beliefs and schools of thought.

forums.mvgroup.org_release.images_docfreak08_vlcsnap-2022-11-24-00h58m43s313.jpg Part 5 The Martyrdom of Saint Apollonia, 1461 - Jean Fouquet

With a tiny and delicate paintbrush, Jean Fouquet adds the golden threads of a tentative humanism to “The Martyrdom of Saint Apollonia” (circa 1450) and unveils a glimmer of the modern era, crouching behind the horizon of the Middle Ages. This film analyzes the illumination for clues of what Fouquet sought to convey to viewers. Completed for a book of hours commissioned by one of Charles VIII's financial advisors, it portrays Apollonia's martyrdom as a mystery play- theatrical performances of Biblical stories popular in medieval towns- to distance viewers from the act of violence. The film also discusses Fouquet's journey to Italy, where he learned about perspective from Renaissance artists, and talks about his propaganda work as the Hundred Years' War drew to a close.

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Episode Three Shown Here





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