BBC - Seven Ages of Britain (2010) Part 1 Age of Conquest

BBC - Seven Ages of Britain (2010) Part 1 Age of Conquest

Seven Ages of Britain

David Dimbleby charts a landmark history of Britain’s greatest art and artefacts over 2000 years in Seven Ages of Britain. Produced in partnership with The Open University, Seven Ages of Britain looks at our extraordinary past through the Arts - both as treasures that have often played a decisive part in events and as marvels of their age. From painted images and monuments of stone and gold to religious relics, weapons of war, instruments of science and works of art; often they are artefacts of great beauty and craftsmanship, but sometimes they are simple, everyday things which have a powerful story to tell. Over the seven one hour programmes, David roams far and wide - including Italy, Germany, Turkey, India and America - tracking down astonishing artefacts that both encapsulate events or originate from the UK, and yet ended up leaving our shores. Jay Hunt Controller of BBC One said: “The Seven Ages of Britain is a hugely ambitious arts series for BBC One. David brings the subject matter alive with journalistic endeavour and a twinkle in his eye.”

forums.mvgroup.org_release.images_artistharry_age_201.jpgPart 1: Conquest

David Dimbleby tells the story of Britain through its art and treasure. The first part of the chronicle begins with the Roman invasion and ends with the Norman Conquest. David travels throughout Britain in search of the greatest works of art from the time: the mosaics of Bignor Roman Villa, the burial treasure of Sutton Hoo, Anglo-Saxon poetry and Alfred the Great's Jewel. He also goes abroad, throughout Europe, to find objects either made in Britain, or which tell us something about our past. In Aphrodisias, Turkey, he finds the oldest image of Britannia; in Florence, a beautiful illuminated Bible made by Northumbrian monks in the 8th century; in Normandy, the Bayeux Tapestry, now believed to have been made by English nuns. He ends at the Tower of London, now seen as a symbol of Britishness but originally built by William the Conqueror to subdue the people of England.

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