BBC - Inside Classical Brahms's Symphony No. 4 (2024)


BBC - Inside Classical Brahms's Symphony No. 4 (2024)

The BBC Scottish Symphony Orchestra perform a programme of music that spans three centuries one of the great romantic symphonies by Brahms, a violin concerto with an American flavour by Samuel Barber and a splash of colour in a contemporary work by Sarah Gibson.

The guest conductor for this performance from Glasgow's City Halls is New Zealand-born Gemma New, artistic director and principal conductor of the New Zealand Symphony Orchestra.

Written in the late 1930s, Samuel Barber's romantic violin concerto has a distinctly American flavour. The soloist, American-based violinist Geneva Lewis, has performed with orchestras around the world and is currently one of BBC Radio 3's New Generation Artists.

Sara Gibson's Warp and Weft, composed in 2019, takes inspiration from Canadian-born feminist artist Miriam Schapiro, who questioned the lines between craft and fine art. The title refers to basic parts used in the handloom weaving process.

Brahms bucked the trend when he wrote his Fourth Symphony in 1885. While many romantic symphonies journey from darkness into light, Brahms begins in the gloom, and even at the end there's little promise of hope, but in between he gives us beautiful glimpses of cheer and serenity. It's honest and human music that has endured to this day.

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Snippet from Wikipedia: Johannes Brahms

Johannes Brahms (; German: [joˈhanəs ˈbʁaːms]; 7 May 1833 – 3 April 1897) was a German composer, virtuoso pianist, and conductor of the mid-Romantic period. His music is rooted in the structures and compositional techniques of his Classical (and earlier) forebears, including Ludwig van Beethoven and Johann Sebastian Bach. His compositions include four symphonies, four concertos, a Requiem, and many songs, amongst other music for symphony orchestra, piano, organ, voices, and chamber ensembles. They remain a staple of the concert repertoire.

Born to a musical family in Hamburg, he composed in his youth, concertizing locally. He toured Central Europe as a pianist in his early adulthood, working with Ede Reményi and Joseph Joachim, meeting Franz Liszt in Weimar, and premiering many of his own works. He was self-conscious and could be severely self-critical, but his music was largely successful. It gradually formed the basis for a growing circle of supporters, friends, and musicians. With Joachim's assistance, Brahms sought Robert Schumann's approval, receiving both his and Clara Schumann's vigorous support and guidance. Robert and later Hans von Bülow even cast him as Beethoven's musical heir.


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